January 26th, 2015 — From The Feeds
He Took His Skin Off For Me from Ben Aston on Vimeo.
The story of a man who takes his skin off for his girlfriend, and why it probably wasn't the best idea... A little late with this one-- busy prepping for #Snowmageddon2015. Despite the title and the visuals, I wouldn't rush to label "He Took His Skin Off For Me" as horror. Director Ben Aston describes it as a fairytale, which I guess makes sense, but without the typical fairytale ending...
January 23rd, 2015 — From The Feeds
Pack it up , pack it in, let me begin! I know, I know, it’s a lame joke. But in the light of “Evil Bong”, it definitely seems fitting! Colleen and I are big Tommy Chong fans, so it was with great excitement that dove into this Charles Band herbal remedy. It’s long been on [...]
January 21st, 2015 — From The Feeds
Darkness-Life Span Right http://oldtimeradio.dvd. Collections on Sale.
January 18th, 2015 — From The Feeds
Sure, we've seen this scenario a zillion times but the sci-fi angle makes it a bit fresher. Not too hard to imagine it as a feature length film.
January 18th, 2015 — From The Feeds
Sure, we've seen this scenario a zillion times but the sci-fi angle makes it a bit fresher. Not too hard to imagine it as a feature length film.
January 14th, 2015 — From The Feeds
Darkness-Toltecs Tomb Right http://oldtimeradio.dvd. Collections on Sale.
January 14th, 2015 — From The Feeds
Darkness-Can't You Do Anything Right http://oldtimeradio.dvd. Collections on Sale.
January 14th, 2015 — From The Feeds
Over Bloody Good Horror, I sat down with my co-host Charlie and our good friend Andy for an all new Episode of The Instomatic! If you’re not familiar with The Instomatic, once or twice a month Charlie and I get together to discuss a movie that’s available on Netflix Instant Watch. If it’s not obvious, [...]
January 14th, 2015 — From The Feeds
Even though I am an elderly person, there are plenty of ways I utilize the technologies of the young. For example, I definitely know how to boot up a JPG. For another example, I only order pizzas via the Information Superhighway. However, sometimes my brain completely forgoes new technology in favor of the old. For example, I always have a spiral notebook and a pen at arm's reach. For another example, when I want to watch something like the 1978 made-for-TV mini-series Dark Secret of Harvest Home, I don't first try YouTube,
where the entire 4-hour affair is readily available. Instead, I spend a lot of time tracking down a bootleg, paying for a bootleg, waiting for the bootleg to arrive, and then digging in. (And I would have forgone the bootleg if the long out-of-print VHS edition wasn't edited to half the original length.)
For every second of "Aw man, YouTube would have been way easier and free-i-er," I have several minutes of sweet satisfaction because when you stream a movie, you don't get the crappy bootleg box art to treasure! Behold:
"Betty" Davis! "Sacrifaces"! It's the small things that please me so.
Also, "Sacrifaces" sounds like a new Satanic show by Mummenschanz.
More Satanic, anyway.
Typos aside, that sentence...
sort of sums up
The Dark Secret of Harvest Home, in the same way that "A young woman enrolls in a ballet academy and is caught up in witchcraft and sacrifaces" might describe
Suspiria. Like, it
works but there's more to it than that.
Wait,
is there more to
Suspiria than that? Never mind, I'm getting off track here. And YES I'm going to use "sacrifaces" all the time now so
get used to it.
I've said it before and I'll say it again and again until we're all tired of hearing it: I love a movie about a town with a secret. From
Dead and Buried to
The Wicker Man to
Bay Cove to everything in between, give me some fish-out-of-water types trying to figure out what the heck is going on in an idyllic country town and I'm all over it. Toss in some witch robes, some sacrifaces, and some old people and I'm all over it AND all up in it. Let me tell you, friends,
The Dark Secret of Harvest Home does not disappoint!
Oh sure, the set-up is as old as them thar hills, but who cares? The Constantine family is fed up with life in the big city and all the big city problems they face. Dad Nick (David "
Original Gary Ewing" Ackroyd) yearns to leave the hollow world of Madison Avenue behind and make some
real art. Mom Beth (Joanna "
There's A Fire-Farting Cockroach in My Hair" Miles) spends her days reclining on a shrink's couch in a bid to overcome her neuroses. 15-year-old daughter Kate (Rosanna "Doesn't Need a Nickname for You to Know Who She Is" Arquette) totally has asthma and her life sucks.
On a little getaway trip to Connecticut, they cross a whimsical/ominous wooden bridge and find themselves in Cornwall Coombe, a small farming community that's super friendly and everyone seems happy and there's an amazing house for sale for wicked cheap and isn't that great let's all move to Cornwall Coombe! So they do, and everything is just great. Mostly. Widow Fortune (Bette "Betty" Davis) has a tight (if benevolent) grip on the town. Folks are reluctant to talk about the past, and no one ever ever
goes "against the ways" if they know what's good for 'em. Why, it's almost as if the town has a
dark secret!
Yes! Check out Rosanna Arquette and Widow Fortune. "Widow" is pronounced "widda", by the way. And everyone says "Ayuh" a lot like this is a goddamn Stephen King movie even though they're in western Connecticut. On the one hand, this made my eye twitch, but on the other hand it just made me want to hug New England because I love New England and even though I grew up in eastern Connecticut there was definitely that feeling of "thar werest wytches here" to it at times, like when you go to Devil's Hopyard State Park, I mean who names a park "Devil's Hopyard" come on now
Kate and Beth adjust quickly to life in The Coombe. Widda Fortune shushes away all of Kate's asthma attacks. Beth likes being party of a community and begins busting out the local corn-speak. Nick, however, digs deeper into the town history for a book he's writing and finds that sometimes people go missing and sometimes you see a skeleton somewhere but then when you go to show it to the constable the skeleton is gone and sometimes you find the local peddler in a cabin in the woods and someone has cut his tongue out and no one admits that anything weird is going on or has gone on, ever.
Oh yeah, and a little babby Tracey Gold is a really fucking weird kid who screams sometimes and she picks the new Harvest Lord by smearing sheep's blood on a contender's cheeks. Just another day in The Coombe!
TRACEY GOLD YOU GUYS
So you know how it goes, right? A big Widda Fortune-sized wedge is driven further and further between Beth and Nick as the former adapts to "the ways" and the latter does not. As the year goes on and the mysterious "Harvest Home" ceremony approaches, we begin to wonder: is this a Babiez4Satan thing, or Babiez4Corn thing? Because somehow, it's always about women making babiez for some reason, ain't it?
It is! But I'm not going to tell you everything because this shit was four hours long and because if you like classic
they don't make 'em like that anymore made-for-TV horror movies (aka "being a person with awesome taste"), then you should just watch it. I mean, it's right there on YouTube. Bette fucking Davis! A
reasonably restrained Bette fucking Davis, even, who doesn't simply bleat-shriek all her lines like she did throughout much of the 1960s.
After you're done watching
The Dark Secret of Harvest Home, you can help me settle the argument I've been having with myself since I saw it: is this feminist, or anti-feminist? There's certainly a slight whiff of Neil LaBute's
Wicker Man in here as a matriarchal society proves ball-crushingly bad for the menfolk. Then again, there's also a slight whiff of
The Stepford Wives in here as Nick frequently asks Beth if she wants to give up her autonomy and life goals to join in "the old ways." I need the Widda Fortune to shush away my social justice anxiety attack!
January 14th, 2015 — From The Feeds
Even though I am an elderly person, there are plenty of ways I utilize the technologies of the young. For example, I definitely know how to boot up a JPG. For another example, I only order pizzas via the Information Superhighway. However, sometimes my brain completely forgoes new technology in favor of the old. For example, I always have a spiral notebook and a pen at arm's reach. For another example, when I want to watch something like the 1978 made-for-TV mini-series Dark Secret of Harvest Home, I don't first try YouTube,
where the entire 4-hour affair is readily available. Instead, I spend a lot of time tracking down a bootleg, paying for a bootleg, waiting for the bootleg to arrive, and then digging in. (And I would have forgone the bootleg if the long out-of-print VHS edition wasn't edited to half the original length.)
For every second of "Aw man, YouTube would have been way easier and free-i-er," I have several minutes of sweet satisfaction because when you stream a movie, you don't get the crappy bootleg box art to treasure! Behold:
"Betty" Davis! "Sacrifaces"! It's the small things that please me so.
Also, "Sacrifaces" sounds like a new Satanic show by Mummenschanz.
More Satanic, anyway.
Typos aside, that sentence...
sort of sums up
The Dark Secret of Harvest Home, in the same way that "A young woman enrolls in a ballet academy and is caught up in witchcraft and sacrifaces" might describe
Suspiria. Like, it
works but there's more to it than that.
Wait,
is there more to
Suspiria than that? Never mind, I'm getting off track here. And YES I'm going to use "sacrifaces" all the time now so
get used to it.
I've said it before and I'll say it again and again until we're all tired of hearing it: I love a movie about a town with a secret. From
Dead and Buried to
The Wicker Man to
Bay Cove to everything in between, give me some fish-out-of-water types trying to figure out what the heck is going on in an idyllic country town and I'm all over it. Toss in some witch robes, some sacrifaces, and some old people and I'm all over it AND all up in it. Let me tell you, friends,
The Dark Secret of Harvest Home does not disappoint!
Oh sure, the set-up is as old as them thar hills, but who cares? The Constantine family is fed up with life in the big city and all the big city problems they face. Dad Nick (David "
Original Gary Ewing" Ackroyd) yearns to leave the hollow world of Madison Avenue behind and make some
real art. Mom Beth (Joanna "
There's A Fire-Farting Cockroach in My Hair" Miles) spends her days reclining on a shrink's couch in a bid to overcome her neuroses. 15-year-old daughter Kate (Rosanna "Doesn't Need a Nickname for You to Know Who She Is" Arquette) totally has asthma and her life sucks.
On a little getaway trip to Connecticut, they cross a whimsical/ominous wooden bridge and find themselves in Cornwall Coombe, a small farming community that's super friendly and everyone seems happy and there's an amazing house for sale for wicked cheap and isn't that great let's all move to Cornwall Coombe! So they do, and everything is just great. Mostly. Widow Fortune (Bette "Betty" Davis) has a tight (if benevolent) grip on the town. Folks are reluctant to talk about the past, and no one ever ever
goes "against the ways" if they know what's good for 'em. Why, it's almost as if the town has a
dark secret!
Yes! Check out Rosanna Arquette and Widow Fortune. "Widow" is pronounced "widda", by the way. And everyone says "Ayuh" a lot like this is a goddamn Stephen King movie even though they're in western Connecticut. On the one hand, this made my eye twitch, but on the other hand it just made me want to hug New England because I love New England and even though I grew up in eastern Connecticut there was definitely that feeling of "thar werest wytches here" to it at times, like when you go to Devil's Hopyard State Park, I mean who names a park "Devil's Hopyard" come on now
Kate and Beth adjust quickly to life in The Coombe. Widda Fortune shushes away all of Kate's asthma attacks. Beth likes being party of a community and begins busting out the local corn-speak. Nick, however, digs deeper into the town history for a book he's writing and finds that sometimes people go missing and sometimes you see a skeleton somewhere but then when you go to show it to the constable the skeleton is gone and sometimes you find the local peddler in a cabin in the woods and someone has cut his tongue out and no one admits that anything weird is going on or has gone on, ever.
Oh yeah, and a little babby Tracey Gold is a really fucking weird kid who screams sometimes and she picks the new Harvest Lord by smearing sheep's blood on a contender's cheeks. Just another day in The Coombe!
TRACEY GOLD YOU GUYS
So you know how it goes, right? A big Widda Fortune-sized wedge is driven further and further between Beth and Nick as the former adapts to "the ways" and the latter does not. As the year goes on and the mysterious "Harvest Home" ceremony approaches, we begin to wonder: is this a Babiez4Satan thing, or Babiez4Corn thing? Because somehow, it's always about women making babiez for some reason, ain't it?
It is! But I'm not going to tell you everything because this shit was four hours long and because if you like classic
they don't make 'em like that anymore made-for-TV horror movies (aka "being a person with awesome taste"), then you should just watch it. I mean, it's right there on YouTube. Bette fucking Davis! A
reasonably restrained Bette fucking Davis, even, who doesn't simply bleat-shriek all her lines like she did throughout much of the 1960s.
After you're done watching
The Dark Secret of Harvest Home, you can help me settle the argument I've been having with myself since I saw it: is this feminist, or anti-feminist? There's certainly a slight whiff of Neil LaBute's
Wicker Man in here as a matriarchal society proves ball-crushingly bad for the menfolk. Then again, there's also a slight whiff of
The Stepford Wives in here as Nick frequently asks Beth if she wants to give up her autonomy and life goals to join in "the old ways." I need the Widda Fortune to shush away my social justice anxiety attack!
January 14th, 2015 — From The Feeds
Even though I am an elderly person, there are plenty of ways I utilize the technologies of the young. For example, I definitely know how to boot up a JPG. For another example, I only order pizzas via the Information Superhighway. However, sometimes my brain completely forgoes new technology in favor of the old. For example, I always have a spiral notebook and a pen at arm's reach. For another example, when I want to watch something like the 1978 made-for-TV mini-series Dark Secret of Harvest Home, I don't first try YouTube,
where the entire 4-hour affair is readily available. Instead, I spend a lot of time tracking down a bootleg, paying for a bootleg, waiting for the bootleg to arrive, and then digging in. (And I would have forgone the bootleg if the long out-of-print VHS edition wasn't edited to half the original length.)
For every second of "Aw man, YouTube would have been way easier and free-i-er," I have several minutes of sweet satisfaction because when you stream a movie, you don't get the crappy bootleg box art to treasure! Behold:
"Betty" Davis! "Sacrifaces"! It's the small things that please me so.
Also, "Sacrifaces" sounds like a new Satanic show by Mummenschanz.
More Satanic, anyway.
Typos aside, that sentence...
sort of sums up
The Dark Secret of Harvest Home, in the same way that "A young woman enrolls in a ballet academy and is caught up in witchcraft and sacrifaces" might describe
Suspiria. Like, it
works but there's more to it than that.
Wait,
is there more to
Suspiria than that? Never mind, I'm getting off track here. And YES I'm going to use "sacrifaces" all the time now so
get used to it.
I've said it before and I'll say it again and again until we're all tired of hearing it: I love a movie about a town with a secret. From
Dead and Buried to
The Wicker Man to
Bay Cove to everything in between, give me some fish-out-of-water types trying to figure out what the heck is going on in an idyllic country town and I'm all over it. Toss in some witch robes, some sacrifaces, and some old people and I'm all over it AND all up in it. Let me tell you, friends,
The Dark Secret of Harvest Home does not disappoint!
Oh sure, the set-up is as old as them thar hills, but who cares? The Constantine family is fed up with life in the big city and all the big city problems they face. Dad Nick (David "
Original Gary Ewing" Ackroyd) yearns to leave the hollow world of Madison Avenue behind and make some
real art. Mom Beth (Joanna "
There's A Fire-Farting Cockroach in My Hair" Miles) spends her days reclining on a shrink's couch in a bid to overcome her neuroses. 15-year-old daughter Kate (Rosanna "Doesn't Need a Nickname for You to Know Who She Is" Arquette) totally has asthma and her life sucks.
On a little getaway trip to Connecticut, they cross a whimsical/ominous wooden bridge and find themselves in Cornwall Coombe, a small farming community that's super friendly and everyone seems happy and there's an amazing house for sale for wicked cheap and isn't that great let's all move to Cornwall Coombe! So they do, and everything is just great. Mostly. Widow Fortune (Bette "Betty" Davis) has a tight (if benevolent) grip on the town. Folks are reluctant to talk about the past, and no one ever ever
goes "against the ways" if they know what's good for 'em. Why, it's almost as if the town has a
dark secret!
Yes! Check out Rosanna Arquette and Widow Fortune. "Widow" is pronounced "widda", by the way. And everyone says "Ayuh" a lot like this is a goddamn Stephen King movie even though they're in western Connecticut. On the one hand, this made my eye twitch, but on the other hand it just made me want to hug New England because I love New England and even though I grew up in eastern Connecticut there was definitely that feeling of "thar werest wytches here" to it at times, like when you go to Devil's Hopyard State Park, I mean who names a park "Devil's Hopyard" come on now
Kate and Beth adjust quickly to life in The Coombe. Widda Fortune shushes away all of Kate's asthma attacks. Beth likes being party of a community and begins busting out the local corn-speak. Nick, however, digs deeper into the town history for a book he's writing and finds that sometimes people go missing and sometimes you see a skeleton somewhere but then when you go to show it to the constable the skeleton is gone and sometimes you find the local peddler in a cabin in the woods and someone has cut his tongue out and no one admits that anything weird is going on or has gone on, ever.
Oh yeah, and a little babby Tracey Gold is a really fucking weird kid who screams sometimes and she picks the new Harvest Lord by smearing sheep's blood on a contender's cheeks. Just another day in The Coombe!
TRACEY GOLD YOU GUYS
So you know how it goes, right? A big Widda Fortune-sized wedge is driven further and further between Beth and Nick as the former adapts to "the ways" and the latter does not. As the year goes on and the mysterious "Harvest Home" ceremony approaches, we begin to wonder: is this a Babiez4Satan thing, or Babiez4Corn thing? Because somehow, it's always about women making babiez for some reason, ain't it?
It is! But I'm not going to tell you everything because this shit was four hours long and because if you like classic
they don't make 'em like that anymore made-for-TV horror movies (aka "being a person with awesome taste"), then you should just watch it. I mean, it's right there on YouTube. Bette fucking Davis! A
reasonably restrained Bette fucking Davis, even, who doesn't simply bleat-shriek all her lines like she did throughout much of the 1960s.
After you're done watching
The Dark Secret of Harvest Home, you can help me settle the argument I've been having with myself since I saw it: is this feminist, or anti-feminist? There's certainly a slight whiff of Neil LaBute's
Wicker Man in here as a matriarchal society proves ball-crushingly bad for the menfolk. Then again, there's also a slight whiff of
The Stepford Wives in here as Nick frequently asks Beth if she wants to give up her autonomy and life goals to join in "the old ways." I need the Widda Fortune to shush away my social justice anxiety attack!
January 14th, 2015 — From The Feeds
Even though I am an elderly person, there are plenty of ways I utilize the technologies of the young. For example, I definitely know how to boot up a JPG. For another example, I only order pizzas via the Information Superhighway. However, sometimes my brain completely forgoes new technology in favor of the old. For example, I always have a spiral notebook and a pen at arm's reach. For another example, when I want to watch something like the 1978 made-for-TV mini-series Dark Secret of Harvest Home, I don't first try YouTube,
where the entire 4-hour affair is readily available. Instead, I spend a lot of time tracking down a bootleg, paying for a bootleg, waiting for the bootleg to arrive, and then digging in. (And I would have forgone the bootleg if the long out-of-print VHS edition wasn't edited to half the original length.)
For every second of "Aw man, YouTube would have been way easier and free-i-er," I have several minutes of sweet satisfaction because when you stream a movie, you don't get the crappy bootleg box art to treasure! Behold:
"Betty" Davis! "Sacrifaces"! It's the small things that please me so.
Also, "Sacrifaces" sounds like a new Satanic show by Mummenschanz.
More Satanic, anyway.
Typos aside, that sentence...
sort of sums up
The Dark Secret of Harvest Home, in the same way that "A young woman enrolls in a ballet academy and is caught up in witchcraft and sacrifaces" might describe
Suspiria. Like, it
works but there's more to it than that.
Wait,
is there more to
Suspiria than that? Never mind, I'm getting off track here. And YES I'm going to use "sacrifaces" all the time now so
get used to it.
I've said it before and I'll say it again and again until we're all tired of hearing it: I love a movie about a town with a secret. From
Dead and Buried to
The Wicker Man to
Bay Cove to everything in between, give me some fish-out-of-water types trying to figure out what the heck is going on in an idyllic country town and I'm all over it. Toss in some witch robes, some sacrifaces, and some old people and I'm all over it AND all up in it. Let me tell you, friends,
The Dark Secret of Harvest Home does not disappoint!
Oh sure, the set-up is as old as them thar hills, but who cares? The Constantine family is fed up with life in the big city and all the big city problems they face. Dad Nick (David "
Original Gary Ewing" Ackroyd) yearns to leave the hollow world of Madison Avenue behind and make some
real art. Mom Beth (Joanna "
There's A Fire-Farting Cockroach in My Hair" Miles) spends her days reclining on a shrink's couch in a bid to overcome her neuroses. 15-year-old daughter Kate (Rosanna "Doesn't Need a Nickname for You to Know Who She Is" Arquette) totally has asthma and her life sucks.
On a little getaway trip to Connecticut, they cross a whimsical/ominous wooden bridge and find themselves in Cornwall Coombe, a small farming community that's super friendly and everyone seems happy and there's an amazing house for sale for wicked cheap and isn't that great let's all move to Cornwall Coombe! So they do, and everything is just great. Mostly. Widow Fortune (Bette "Betty" Davis) has a tight (if benevolent) grip on the town. Folks are reluctant to talk about the past, and no one ever ever
goes "against the ways" if they know what's good for 'em. Why, it's almost as if the town has a
dark secret!
Yes! Check out Rosanna Arquette and Widow Fortune. "Widow" is pronounced "widda", by the way. And everyone says "Ayuh" a lot like this is a goddamn Stephen King movie even though they're in western Connecticut. On the one hand, this made my eye twitch, but on the other hand it just made me want to hug New England because I love New England and even though I grew up in eastern Connecticut there was definitely that feeling of "thar werest wytches here" to it at times, like when you go to Devil's Hopyard State Park, I mean who names a park "Devil's Hopyard" come on now
Kate and Beth adjust quickly to life in The Coombe. Widda Fortune shushes away all of Kate's asthma attacks. Beth likes being party of a community and begins busting out the local corn-speak. Nick, however, digs deeper into the town history for a book he's writing and finds that sometimes people go missing and sometimes you see a skeleton somewhere but then when you go to show it to the constable the skeleton is gone and sometimes you find the local peddler in a cabin in the woods and someone has cut his tongue out and no one admits that anything weird is going on or has gone on, ever.
Oh yeah, and a little babby Tracey Gold is a really fucking weird kid who screams sometimes and she picks the new Harvest Lord by smearing sheep's blood on a contender's cheeks. Just another day in The Coombe!
TRACEY GOLD YOU GUYS
So you know how it goes, right? A big Widda Fortune-sized wedge is driven further and further between Beth and Nick as the former adapts to "the ways" and the latter does not. As the year goes on and the mysterious "Harvest Home" ceremony approaches, we begin to wonder: is this a Babiez4Satan thing, or Babiez4Corn thing? Because somehow, it's always about women making babiez for some reason, ain't it?
It is! But I'm not going to tell you everything because this shit was four hours long and because if you like classic
they don't make 'em like that anymore made-for-TV horror movies (aka "being a person with awesome taste"), then you should just watch it. I mean, it's right there on YouTube. Bette fucking Davis! A
reasonably restrained Bette fucking Davis, even, who doesn't simply bleat-shriek all her lines like she did throughout much of the 1960s.
After you're done watching
The Dark Secret of Harvest Home, you can help me settle the argument I've been having with myself since I saw it: is this feminist, or anti-feminist? There's certainly a slight whiff of Neil LaBute's
Wicker Man in here as a matriarchal society proves ball-crushingly bad for the menfolk. Then again, there's also a slight whiff of
The Stepford Wives in here as Nick frequently asks Beth if she wants to give up her autonomy and life goals to join in "the old ways." I need the Widda Fortune to shush away my social justice anxiety attack!
January 14th, 2015 — From The Feeds
Even though I am an elderly person, there are plenty of ways I utilize the technologies of the young. For example, I definitely know how to boot up a JPG. For another example, I only order pizzas via the Information Superhighway. However, sometimes my brain completely forgoes new technology in favor of the old. For example, I always have a spiral notebook and a pen at arm's reach. For another example, when I want to watch something like the 1978 made-for-TV mini-series Dark Secret of Harvest Home, I don't first try YouTube,
where the entire 4-hour affair is readily available. Instead, I spend a lot of time tracking down a bootleg, paying for a bootleg, waiting for the bootleg to arrive, and then digging in. (And I would have forgone the bootleg if the long out-of-print VHS edition wasn't edited to half the original length.)
For every second of "Aw man, YouTube would have been way easier and free-i-er," I have several minutes of sweet satisfaction because when you stream a movie, you don't get the crappy bootleg box art to treasure! Behold:
"Betty" Davis! "Sacrifaces"! It's the small things that please me so.
Also, "Sacrifaces" sounds like a new Satanic show by Mummenschanz.
More Satanic, anyway.
Typos aside, that sentence...
sort of sums up
The Dark Secret of Harvest Home, in the same way that "A young woman enrolls in a ballet academy and is caught up in witchcraft and sacrifaces" might describe
Suspiria. Like, it
works but there's more to it than that.
Wait,
is there more to
Suspiria than that? Never mind, I'm getting off track here. And YES I'm going to use "sacrifaces" all the time now so
get used to it.
I've said it before and I'll say it again and again until we're all tired of hearing it: I love a movie about a town with a secret. From
Dead and Buried to
The Wicker Man to
Bay Cove to everything in between, give me some fish-out-of-water types trying to figure out what the heck is going on in an idyllic country town and I'm all over it. Toss in some witch robes, some sacrifaces, and some old people and I'm all over it AND all up in it. Let me tell you, friends,
The Dark Secret of Harvest Home does not disappoint!
Oh sure, the set-up is as old as them thar hills, but who cares? The Constantine family is fed up with life in the big city and all the big city problems they face. Dad Nick (David "
Original Gary Ewing" Ackroyd) yearns to leave the hollow world of Madison Avenue behind and make some
real art. Mom Beth (Joanna "
There's A Fire-Farting Cockroach in My Hair" Miles) spends her days reclining on a shrink's couch in a bid to overcome her neuroses. 15-year-old daughter Kate (Rosanna "Doesn't Need a Nickname for You to Know Who She Is" Arquette) totally has asthma and her life sucks.
On a little getaway trip to Connecticut, they cross a whimsical/ominous wooden bridge and find themselves in Cornwall Coombe, a small farming community that's super friendly and everyone seems happy and there's an amazing house for sale for wicked cheap and isn't that great let's all move to Cornwall Coombe! So they do, and everything is just great. Mostly. Widow Fortune (Bette "Betty" Davis) has a tight (if benevolent) grip on the town. Folks are reluctant to talk about the past, and no one ever ever
goes "against the ways" if they know what's good for 'em. Why, it's almost as if the town has a
dark secret!
Yes! Check out Rosanna Arquette and Widow Fortune. "Widow" is pronounced "widda", by the way. And everyone says "Ayuh" a lot like this is a goddamn Stephen King movie even though they're in western Connecticut. On the one hand, this made my eye twitch, but on the other hand it just made me want to hug New England because I love New England and even though I grew up in eastern Connecticut there was definitely that feeling of "thar werest wytches here" to it at times, like when you go to Devil's Hopyard State Park, I mean who names a park "Devil's Hopyard" come on now
Kate and Beth adjust quickly to life in The Coombe. Widda Fortune shushes away all of Kate's asthma attacks. Beth likes being party of a community and begins busting out the local corn-speak. Nick, however, digs deeper into the town history for a book he's writing and finds that sometimes people go missing and sometimes you see a skeleton somewhere but then when you go to show it to the constable the skeleton is gone and sometimes you find the local peddler in a cabin in the woods and someone has cut his tongue out and no one admits that anything weird is going on or has gone on, ever.
Oh yeah, and a little babby Tracey Gold is a really fucking weird kid who screams sometimes and she picks the new Harvest Lord by smearing sheep's blood on a contender's cheeks. Just another day in The Coombe!
TRACEY GOLD YOU GUYS
So you know how it goes, right? A big Widda Fortune-sized wedge is driven further and further between Beth and Nick as the former adapts to "the ways" and the latter does not. As the year goes on and the mysterious "Harvest Home" ceremony approaches, we begin to wonder: is this a Babiez4Satan thing, or Babiez4Corn thing? Because somehow, it's always about women making babiez for some reason, ain't it?
It is! But I'm not going to tell you everything because this shit was four hours long and because if you like classic
they don't make 'em like that anymore made-for-TV horror movies (aka "being a person with awesome taste"), then you should just watch it. I mean, it's right there on YouTube. Bette fucking Davis! A
reasonably restrained Bette fucking Davis, even, who doesn't simply bleat-shriek all her lines like she did throughout much of the 1960s.
After you're done watching
The Dark Secret of Harvest Home, you can help me settle the argument I've been having with myself since I saw it: is this feminist, or anti-feminist? There's certainly a slight whiff of Neil LaBute's
Wicker Man in here as a matriarchal society proves ball-crushingly bad for the menfolk. Then again, there's also a slight whiff of
The Stepford Wives in here as Nick frequently asks Beth if she wants to give up her autonomy and life goals to join in "the old ways." I need the Widda Fortune to shush away my social justice anxiety attack!
January 13th, 2015 — From The Feeds
January 13th, 2015 — From The Feeds
