Entries from September 2007 ↓

Today we are proud to kick off one of the most hardcore and coolest mother f'n contests we've had here on Bloody-Disgusting in the past seven years! Inside you'll find out how seven lucky B-D readers will receive a pair of tickets to see both Ozzy Osbourne and Rob Zombie in concert, seven other readers will win a live CD from Zombie, who's Halloween remake is embarking on $60 million at the box office. Read on for details on how to enter, and for the full tour details. Who do you love? I hope me!

Horror Junk caught up with Chris Jericho about his roles in the horror movies Android Apocalypse and Albino Farm.

Shannon Lark is a multi-talented director, writer, producer, performer, actress, dancer and manager in the horror business. She has written, directed and produced her own films, acted in many independent horror flicks, founded indie-filmmaker forum (where those in the horror film industry can mingle and mangle) and production company The Chainsaw Mafia, founded The Viscera Series and Film Festival that encourages women in the male-dominated horror industry to submit their own artwork and films, and is the gore wrangler and dancer for the zombie dance troupe, The Living Dead Girlz, among MANY other horror-related things! Currently, she is running for this year’s Miss Horrorfest.

She loves horror and isn’t afraid to show it!! And that’s what we love about her…

Lark is extremely passionate about what she does, and even though she has accomplished so much, she has no plans of stopping anytime soon! Fatally Yours recently got the chance to interview the lovely Ms. Lark, whom you should definitely go vote for in the Miss Horrorfest competition(go here and vote 5 stars on the video!). She definitely deserves it…if you read on, I’m sure you’ll see why!

Fatally Yours: Shannon, your love of horror is apparent. You’ve acted in, directed, written and edited numerous horror films, founded the production company and indie forum The Chainsaw Mafia, performed in splatter theater with the Living Dead Girlz and the Primitive Screwheads, written for horror sites including Pretty-Scary.net, created and run the Viscera Film Festival for women and now you are running for Miss Horrorfest. Horror definitely flows through your veins! How did your love of horror begin and what made you decide to pursue a career in the horror business?

Shannon Lark: It all started with an experience at the ballet when I saw a gruesome rendition of Romeo and Juliet when I was four. Ever since I have been hooked to the genre and every morbid image I could get a hold of. It was just a natural progression from obsessive viewing to obsessive creating. Being an artist in the horror genre is what fuels my imagination and that means everything to me.

FY: Most people take their whole lives to accomplish as much as you have. How have you accomplished so much in such a short amount of time?

SL: Oh wow. Thanks for the compliment! I would hope that people accomplish more than this though, since I feel I have done very little in the big scheme of things.

How I did accomplish what I have so far is by obsessiveness. If you want something bad enough, you don’t just stand around and talk about it or allow your fears to engulf you so you never do it.

I jumped in, head first. I harassed people, made them teach me what they knew when I was hired to act in films. I took independent classes, bought books, and created The Chainsaw Mafia, my horror production company and website.

I started directing films, even though I felt like I had no idea what I was doing. I learned how to edit films, how to write them, how to direct and produce them (along with splatter theater productions).

Directing film festivals came just as naturally as making films. I knew a lot of horror filmmakers in the Bay Area whose films deserved to be shown. Festival Directing, The Chainsaw Mafia, and the Living Dead Girlz have sprung off from these platforms I set up.

It’s all about networking…which is more like beating people over the head with a bloody mallet until they comply.

FY: What was the first project you worked on in the horror genre?

SL: Haha. This is a fun one. I directed this film when I was a junior in high school about nuclear proliferation and the potential effects it could have on the world. I grew up where the US Government tested the first Atomic Bomb, so it was a pretty hot topic.

The film is called “Blood in the Sand,” and features a bunch of my classmates. It had a Marilyn Manson soundtrack and took place in the desert, after the world had been “blown” up. It was cute and we showed it to a panel of Los Alamos Scientists. They really didn’t know what to say….

They probably just said we were all Satanists. Hail Satan!

FY: How did you learn how to act, direct, write, etc.?

SL: My sister was a pretty popular director in our hometown by the time she was 13. She was always an influence in the acting field (she once did an 8 minute scene for a class where she had multiple personalities, it was brilliant!). She really helped me get into acting and dancing and putting on shows.

Directing and writing films came from reading books and talking to people. It takes a while to get down the formatting of writing scripts. It took a lot of crappy scripts to finally get it right!

FY: How did the Living Dead Girlz gig and the Primitive Screwheads opportunity come about?

SL: The LDG were created after I made this film called What Ever Happened to the Zombie Killers. It was one of my first short films and had a cute zombie dance sequence. Amber Steele designed and taught the choreography for the zombies (along with acting in the film). At one point she turned to me in a half joking manner that we should start a zombie dance troupe. That’s where it all started.

About 5 years ago I was cruising Craigslist, looking for horror productions to be involved with. I saw a post by the director, Sean, and contacted him for the role of Annie in Evil Dead: Live. I drove in the craziest rain to get to the audition and was in traffic for 3 hours, arriving over an hour late. I found parking, ran to the theater building at SFSU.

He waited for me, I couldn’t believe it. I auditioned and he gave me the part immediately.

FY: The Chainsaw Mafia and The Viscera Series and Film Fest are both great opportunities for independent filmmakers, especially women. Can you tell our readers more about these?

SL: The Chainsaw Mafia is a free networking forum on the web, so it helps to facilitate link ups with filmmakers and let people know what’s going on in the independent horror filmmaking community. TCM is about bringing a feeling of family and unity in the genre. Discounted equipment rentals and a one stop horror shop coming soon!

TCM also houses film festivals, for men and women, and helps other filmmakers work to be seen and honored.

Viscera is a Film Festival and Series featured on thechainsawmafia.com. The films in the Series are made completely by women, in every aspect of production. Any woman can enter their film (as long as it falls within these guidelines) for the Series.

Along with the Series are Viscera Women, these women are particular females who are being honored on the site because of their roles in the horror genre. Ones who are making an impact and creating their own art are especially candidates.

The Film Festival features women directed/produced films, and has a monetary award for women-only films. Viscera is also sponsored by many horror organizations and Festivals that will review the winners on the DVD and potentially view their favorite Viscera films.

FY: The roles for women in horror, both in front and behind the camera, have been pretty limited in the past. How do you feel about the role of women in film today and do you think there has been an improvement?

SL: I think a lot has changed for women in horror, and its just picking up speed as time goes along. I think more women than ever are creating their own productions and taking projects into their own hands. I think the majority of women are still a bit timid, not just in horror, but in many other career choices. I think we have a way to go before we are considered equal in the work force, but it might be reachable in our lifetimes.

FY: It seems that men make up the majority of horror fans. Why do you think that there are fewer women as fans and how would you convince women that aren’t fans to give horror a chance?

SL: I agree with you, and I think it’s because men are what horror films are marketed to. There is such a flooded market of slasher films wherein the formula is so straightforward. Women are used as objects to be penetrated (with whatever phallic object used in the film), and the final girl is the one in which men can relate to. She takes on a male-like character (not sexy, usually a virgin) and overcomes all obstacles.

I think as more horror films come to light that aren’t your typical slasher film, we will see more an more women become spectators. I also believe that as more women become involved in the genre, we will see a huge rise of female interest. It’s like a message to other females that the waters fine, and nothing bad is going to happen to them if they like it.

FY: Your films contain a lot of social commentary. Do you believe it’s important for films to carry a message along with being entertaining?

SL: For many of my films, yes. I don’t think all horror films need to carry on an important message, intentionally.

I think horror films carry on more of a subconscious message than any other genre of film due to its extreme content. It’s hard to make a good horror film without critics analyzing it to death and creating reasons on why you did what you did to make it effective.

Sometimes I just want to make something fucked up, and people point out to me their conclusions on morality issues on my material. It’s just a natural thing for humans to look for the message. Even if there really isn’t a message there, we want answers.

FY: You are competing for Miss Horrorfest 2007. What was the driving factor that made you want to do this?

SL: Well, I entered last year with a really great film called Prom Queen. It was just a really disturbing film that many people thought was snuff. Youtube ended up kicking the film off the site, even though it contained absolutely no nudity and showed no penetration of any object.

Although Prom Queen was effective, I don’t think it was right for the contest. So I entered again this year, with more of an iconic image in mind. I think it’s time for a strong female character to become more apparent in the genre and I hope to help many women become involved as well.

If I win, in 2008, I plan to start a Scream Queen Camp for budding girls who are interested in getting into the business and expand The Chainsaw Mafia to helping filmmakers even more so.

FY: Who do you look up to in the horror industry?

SL: Peter Jackson, David Lynch, and Alejandro Jodorowsky.

People who I know and love are Heidi Martinuzzi, Michelle Fatale, and Amber Steele.

FY: What are your top 5 favorite horror films?

SL: Dead Alive (Brain Dead), Santa Sangre, Evil Dead, The Shining, Elephant Man

FY: Shannon, you’ve contributed so much to the genre and the horror community is lucky to have you. We at Fatally-Yours.com applaud all your efforts and you definitely have our vote for Miss Horrorfest 2007!

Check out Shannon’s Miss Horrorfest video below…and don’t forget to vote!!

Tales Of Horror Presents Peter Cushing in The Legend of the 7 Golden Vampires

Tales Of Horror Presents Peter Cushing in The Legend of the 7 Golden Vampires

Tales Of Horror Presents Peter Cushing in The Legend of the 7 Golden Vampires

Describe your favourite fictional depiction of the Devil. Bill Cunningham - DisContent NSFW. Curt - Beyond The Groovy Age of Horror Hands down, flat-out, no competition whatsoever, the mold to break all other molds: Satan from Milton’s Paradise Lost. Here’s a nice little article that outlines some of the character’s appeal. On the other hand (waaaay on the other hand!), here’s [...]

Episode 56 of the Midnight Podcast 29 min and 19 sec (09-28-07):

 

This week on the Midnight Podcast....... I talk about Diary of the Dead news that was sent in to me by Boggman....... Kings Town Ted reviews the zombie movie Fido (2007) and Rock and Roll Ray and I Review Return of the Living Dead (1985).......

 

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Variety reports NBC has given a 13-episode commitment to the horror anthology series Fear Itself, which the Peacock plans to air sometime next summer. The project is a reworked version of the Emmy-winning Masters of Horror and comes directly from the Showtime series' producers, Lionsgate and Industry Entertainment. Masters of Horror exec producers Keith Addis, Andrew Deane and Mick Garris are all onboard as well.

NBC Entertainment/Universal Media Studios co-chairman Ben Silverman, who announced the project Monday, said he's looking for new ways to offer scripted fare in the summer. "It's less expensive than the traditional license fees we pay," Silverman said. "That's allowing us to open up original programming to work across the whole year. There are different ways to get scripted shows on the air all year round."

Silverman said "Fear Itself" could also be scheduled during the regular season on Saturday nights as an alternative to the net's drama repeats. Production will begin early next year; the producers are looking to woo top-name horror writers and helmers for Fear Itself, just as they did with Masters of Horror.

Beggs said NBC pushed to change the title to avoid comparisons to Showtime's two-year run and also to broaden the series' focus. "They felt it was important to have a new title, and we agreed," Beggs said. "It doesn't limit us. 'Fear Itself' can tell all kinds of stories."

To meet broadcast standards, NBC will have to stay away from too much blood and gore -- something Silverman said wouldn't be a problem. "Scary doesn't necessarily mean blood," he said. More graphic footage will be saved for the DVD (and other backend) market, Beggs added. "We'll be making longer versions for video -- it's easier to cut and trim for NBC's running time anyway," he said.

THR reports that in the latest deal closed from the Toronto International Film Festival, the Weinstein Co. paid mid-six figures for all North American rights except theatrical and Canadian television for Dario Argento's The Mother of Tears from Myriad Pictures. This is the third in Argento's Three Mothers trilogy that began with his classic Suspiria. Argento's daughter Asia stars.

Myriad will release the film in select markets in the U.S. and Canada early next year, and Genius Products will distribute the DVD domestically under its exclusive agreement with the Weinstein Co.

Flight of the Living Dead contest 2007: Win The DVD (and a squishy bloody zombie head if there are any left!) from Best-Horror-Movies.com

This week on the Midnight Podcast……. I talk about Diary of the Dead news that was sent in to me by Boggman……. Kings Town Ted reviews the zombie movie Fido (2007) and Rock and Roll Ray and I Review Return of the Living Dead (1985)…….

Click to vote for my Podcast!

I'm looking for the name of a classic apartment horror/thriller film I once saw on television. The plot involves a woman who is trapped in an