Entries from September 2015 ↓
The Search for Inspirado
September 27th, 2015 — From The Feeds
Inspiration is a fickle thing. Sometimes you have it by the bucketful, other times it’s a scarce commodity. Unfortunately, here at Cinema Fromage headquarters, we’ve been in the former situation for quite awhile. Due to various factors, changes at work, busy family life, some head worms of my own to deal with…inspiration just hasn’t been [...]
awesome movie poster friday – the 1980 edition!
September 25th, 2015 — From The Feeds
I gave The Changeling a peep for the first time in a long while last night and man, it's still so good. Good enough, in fact, to warrant its very own Awesome Movie Poster Friday. What an honor! But here's the thing...The Changeling hails from 1980 and 1980 was a great year for horror. It's no 1981, of course, but it gave us a veritable embarrassment of genre riches for sure and that is also good enough to warrant an Awesome Movie Poster Friday. Can you feel the love tonight?
Some other movies 1980 blessed us with have been featured with an AMPF before: Terror Train, The Fog, and Prom Night; City of the Living Dead; Inferno; Friday the 13th. There's also The Shining, but look, there are so many minimalist and modern posters for that movie that I honestly can't be bothered. It feels like it was an assignment for a graduating class of budding graphic designers or something, there are so many. But hey, the film itself is another reason why 1980 makes most other years look like total suckers for being so lame.
Some other movies 1980 blessed us with have been featured with an AMPF before: Terror Train, The Fog, and Prom Night; City of the Living Dead; Inferno; Friday the 13th. There's also The Shining, but look, there are so many minimalist and modern posters for that movie that I honestly can't be bothered. It feels like it was an assignment for a graduating class of budding graphic designers or something, there are so many. But hey, the film itself is another reason why 1980 makes most other years look like total suckers for being so lame.
awesome movie poster friday – the 1980 edition!
September 25th, 2015 — From The Feeds
I gave The Changeling a peep for the first time in a long while last night and man, it's still so good. Good enough, in fact, to warrant its very own Awesome Movie Poster Friday. What an honor! But here's the thing...The Changeling hails from 1980 and 1980 was a great year for horror. It's no 1981, of course, but it gave us a veritable embarrassment of genre riches for sure and that is also good enough to warrant an Awesome Movie Poster Friday. Can you feel the love tonight?
Some other movies 1980 blessed us with have been featured with an AMPF before: Terror Train, The Fog, and Prom Night; City of the Living Dead; Inferno; Friday the 13th. There's also The Shining, but look, there are so many minimalist and modern posters for that movie that I honestly can't be bothered. It feels like it was an assignment for a graduating class of budding graphic designers or something, there are so many. But hey, the film itself is another reason why 1980 makes most other years look like total suckers for being so lame.
Some other movies 1980 blessed us with have been featured with an AMPF before: Terror Train, The Fog, and Prom Night; City of the Living Dead; Inferno; Friday the 13th. There's also The Shining, but look, there are so many minimalist and modern posters for that movie that I honestly can't be bothered. It feels like it was an assignment for a graduating class of budding graphic designers or something, there are so many. But hey, the film itself is another reason why 1980 makes most other years look like total suckers for being so lame.
awesome movie poster friday – the 1980 edition!
September 25th, 2015 — From The Feeds
I gave The Changeling a peep for the first time in a long while last night and man, it's still so good. Good enough, in fact, to warrant its very own Awesome Movie Poster Friday. What an honor! But here's the thing...The Changeling hails from 1980 and 1980 was a great year for horror. It's no 1981, of course, but it gave us a veritable embarrassment of genre riches for sure and that is also good enough to warrant an Awesome Movie Poster Friday. Can you feel the love tonight?
Some other movies 1980 blessed us with have been featured with an AMPF before: Terror Train, The Fog, and Prom Night; City of the Living Dead; Inferno; Friday the 13th. There's also The Shining, but look, there are so many minimalist and modern posters for that movie that I honestly can't be bothered. It feels like it was an assignment for a graduating class of budding graphic designers or something, there are so many. But hey, the film itself is another reason why 1980 makes most other years look like total suckers for being so lame.
Some other movies 1980 blessed us with have been featured with an AMPF before: Terror Train, The Fog, and Prom Night; City of the Living Dead; Inferno; Friday the 13th. There's also The Shining, but look, there are so many minimalist and modern posters for that movie that I honestly can't be bothered. It feels like it was an assignment for a graduating class of budding graphic designers or something, there are so many. But hey, the film itself is another reason why 1980 makes most other years look like total suckers for being so lame.
awesome movie poster friday – the 1980 edition!
September 25th, 2015 — From The Feeds
I gave The Changeling a peep for the first time in a long while last night and man, it's still so good. Good enough, in fact, to warrant its very own Awesome Movie Poster Friday. What an honor! But here's the thing...The Changeling hails from 1980 and 1980 was a great year for horror. It's no 1981, of course, but it gave us a veritable embarrassment of genre riches for sure and that is also good enough to warrant an Awesome Movie Poster Friday. Can you feel the love tonight?
Some other movies 1980 blessed us with have been featured with an AMPF before: Terror Train, The Fog, and Prom Night; City of the Living Dead; Inferno; Friday the 13th. There's also The Shining, but look, there are so many minimalist and modern posters for that movie that I honestly can't be bothered. It feels like it was an assignment for a graduating class of budding graphic designers or something, there are so many. But hey, the film itself is another reason why 1980 makes most other years look like total suckers for being so lame.
Some other movies 1980 blessed us with have been featured with an AMPF before: Terror Train, The Fog, and Prom Night; City of the Living Dead; Inferno; Friday the 13th. There's also The Shining, but look, there are so many minimalist and modern posters for that movie that I honestly can't be bothered. It feels like it was an assignment for a graduating class of budding graphic designers or something, there are so many. But hey, the film itself is another reason why 1980 makes most other years look like total suckers for being so lame.
awesome movie poster friday – the 1980 edition!
September 25th, 2015 — From The Feeds
I gave The Changeling a peep for the first time in a long while last night and man, it's still so good. Good enough, in fact, to warrant its very own Awesome Movie Poster Friday. What an honor! But here's the thing...The Changeling hails from 1980 and 1980 was a great year for horror. It's no 1981, of course, but it gave us a veritable embarrassment of genre riches for sure and that is also good enough to warrant an Awesome Movie Poster Friday. Can you feel the love tonight?
Some other movies 1980 blessed us with have been featured with an AMPF before: Terror Train, The Fog, and Prom Night; City of the Living Dead; Inferno; Friday the 13th. There's also The Shining, but look, there are so many minimalist and modern posters for that movie that I honestly can't be bothered. It feels like it was an assignment for a graduating class of budding graphic designers or something, there are so many. But hey, the film itself is another reason why 1980 makes most other years look like total suckers for being so lame.
Some other movies 1980 blessed us with have been featured with an AMPF before: Terror Train, The Fog, and Prom Night; City of the Living Dead; Inferno; Friday the 13th. There's also The Shining, but look, there are so many minimalist and modern posters for that movie that I honestly can't be bothered. It feels like it was an assignment for a graduating class of budding graphic designers or something, there are so many. But hey, the film itself is another reason why 1980 makes most other years look like total suckers for being so lame.
awesome movie poster friday – the 1980 edition!
September 25th, 2015 — From The Feeds
I gave The Changeling a peep for the first time in a long while last night and man, it's still so good. Good enough, in fact, to warrant its very own Awesome Movie Poster Friday. What an honor! But here's the thing...The Changeling hails from 1980 and 1980 was a great year for horror. It's no 1981, of course, but it gave us a veritable embarrassment of genre riches for sure and that is also good enough to warrant an Awesome Movie Poster Friday. Can you feel the love tonight?
Some other movies 1980 blessed us with have been featured with an AMPF before: Terror Train, The Fog, and Prom Night; City of the Living Dead; Inferno; Friday the 13th. There's also The Shining, but look, there are so many minimalist and modern posters for that movie that I honestly can't be bothered. It feels like it was an assignment for a graduating class of budding graphic designers or something, there are so many. But hey, the film itself is another reason why 1980 makes most other years look like total suckers for being so lame.
Some other movies 1980 blessed us with have been featured with an AMPF before: Terror Train, The Fog, and Prom Night; City of the Living Dead; Inferno; Friday the 13th. There's also The Shining, but look, there are so many minimalist and modern posters for that movie that I honestly can't be bothered. It feels like it was an assignment for a graduating class of budding graphic designers or something, there are so many. But hey, the film itself is another reason why 1980 makes most other years look like total suckers for being so lame.
Mocha Mocha
September 24th, 2015 — From The Feeds
Eclectic Garage And Shed
September 23rd, 2015 — From The Feeds
Horror Without People: MESSIAH OF EVIL
September 23rd, 2015 — From The Feeds
So there's this terrific tumblr (I know, tumblr, right?) called Cinema Without People. The first time I saw it, I was like hey, wow, what a great idea, wish I'd thought of it. But then I thought, hey, wow, didn't Picasso or Shia LeBeouf or whomever say something about stealing? I think so, so why don't I...appropriate the idea sometimes and link back to the dude who thought of it first? Seems fair, particularly since he only posts about horror movies once in a great great while (The Brood is sweet) and generally doesn't indulge in the delightful trash that I sometimes do.
And that's what's up with this idea I didn't think of! I thought it'd be fun to explore it a bit in the context of horror because of the ways in which place can be so important: building tension, establishing a sense of isolation, showing the aftermath of violence, etc.
I thought a good place to start would be the 1973 film Messiah of Evil, which, as you should know by now, I want to take as my unholy bride because I adore it to no end. The empty streets of Point Dune, the surrealistic art in the beach house, the beach itself...all of it imbues the movie with a desolate, ominous feeling. Even bright, familiar places like an innocuous grocery store have entered the realm of the uncanny–something really ain't right in Point Dune. Pray you can escape, because no one will hear you SCREAM!
And that's what's up with this idea I didn't think of! I thought it'd be fun to explore it a bit in the context of horror because of the ways in which place can be so important: building tension, establishing a sense of isolation, showing the aftermath of violence, etc.
I thought a good place to start would be the 1973 film Messiah of Evil, which, as you should know by now, I want to take as my unholy bride because I adore it to no end. The empty streets of Point Dune, the surrealistic art in the beach house, the beach itself...all of it imbues the movie with a desolate, ominous feeling. Even bright, familiar places like an innocuous grocery store have entered the realm of the uncanny–something really ain't right in Point Dune. Pray you can escape, because no one will hear you SCREAM!
Horror Without People: MESSIAH OF EVIL
September 23rd, 2015 — From The Feeds
So there's this terrific tumblr (I know, tumblr, right?) called Cinema Without People. The first time I saw it, I was like hey, wow, what a great idea, wish I'd thought of it. But then I thought, hey, wow, didn't Picasso or Shia LeBeouf or whomever say something about stealing? I think so, so why don't I...appropriate the idea sometimes and link back to the dude who thought of it first? Seems fair, particularly since he only posts about horror movies once in a great great while (The Brood is sweet) and generally doesn't indulge in the delightful trash that I sometimes do.
And that's what's up with this idea I didn't think of! I thought it'd be fun to explore it a bit in the context of horror because of the ways in which place can be so important: building tension, establishing a sense of isolation, showing the aftermath of violence, etc.
I thought a good place to start would be the 1973 film Messiah of Evil, which, as you should know by now, I want to take as my unholy bride because I adore it to no end. The empty streets of Point Dune, the surrealistic art in the beach house, the beach itself...all of it imbues the movie with a desolate, ominous feeling. Even bright, familiar places like an innocuous grocery store have entered the realm of the uncanny–something really ain't right in Point Dune. Pray you can escape, because no one will hear you SCREAM!
And that's what's up with this idea I didn't think of! I thought it'd be fun to explore it a bit in the context of horror because of the ways in which place can be so important: building tension, establishing a sense of isolation, showing the aftermath of violence, etc.
I thought a good place to start would be the 1973 film Messiah of Evil, which, as you should know by now, I want to take as my unholy bride because I adore it to no end. The empty streets of Point Dune, the surrealistic art in the beach house, the beach itself...all of it imbues the movie with a desolate, ominous feeling. Even bright, familiar places like an innocuous grocery store have entered the realm of the uncanny–something really ain't right in Point Dune. Pray you can escape, because no one will hear you SCREAM!
Horror Without People: MESSIAH OF EVIL
September 23rd, 2015 — From The Feeds
So there's this terrific tumblr (I know, tumblr, right?) called Cinema Without People. The first time I saw it, I was like hey, wow, what a great idea, wish I'd thought of it. But then I thought, hey, wow, didn't Picasso or Shia LeBeouf or whomever say something about stealing? I think so, so why don't I...appropriate the idea sometimes and link back to the dude who thought of it first? Seems fair, particularly since he only posts about horror movies once in a great great while (The Brood is sweet) and generally doesn't indulge in the delightful trash that I sometimes do.
And that's what's up with this idea I didn't think of! I thought it'd be fun to explore it a bit in the context of horror because of the ways in which place can be so important: building tension, establishing a sense of isolation, showing the aftermath of violence, etc.
I thought a good place to start would be the 1973 film Messiah of Evil, which, as you should know by now, I want to take as my unholy bride because I adore it to no end. The empty streets of Point Dune, the surrealistic art in the beach house, the beach itself...all of it imbues the movie with a desolate, ominous feeling. Even bright, familiar places like an innocuous grocery store have entered the realm of the uncanny–something really ain't right in Point Dune. Pray you can escape, because no one will hear you SCREAM!
And that's what's up with this idea I didn't think of! I thought it'd be fun to explore it a bit in the context of horror because of the ways in which place can be so important: building tension, establishing a sense of isolation, showing the aftermath of violence, etc.
I thought a good place to start would be the 1973 film Messiah of Evil, which, as you should know by now, I want to take as my unholy bride because I adore it to no end. The empty streets of Point Dune, the surrealistic art in the beach house, the beach itself...all of it imbues the movie with a desolate, ominous feeling. Even bright, familiar places like an innocuous grocery store have entered the realm of the uncanny–something really ain't right in Point Dune. Pray you can escape, because no one will hear you SCREAM!
Horror Without People: MESSIAH OF EVIL
September 23rd, 2015 — From The Feeds
So there's this terrific tumblr (I know, tumblr, right?) called Cinema Without People. The first time I saw it, I was like hey, wow, what a great idea, wish I'd thought of it. But then I thought, hey, wow, didn't Picasso or Shia LeBeouf or whomever say something about stealing? I think so, so why don't I...appropriate the idea sometimes and link back to the dude who thought of it first? Seems fair, particularly since he only posts about horror movies once in a great great while (The Brood is delightful) and generally doesn't indulge in the delightful trash that I sometimes do.
And that's what's up with this idea I didn't think of! I thought it'd be fun to explore it a bit in the context of horror because of the ways in which place can be so important: building tension, establishing a sense of isolation, showing the aftermath of violence, etc.
I thought a good place to start would be the 1973 film Messiah of Evil, which, as you should know by now, I want to take as my unholy bride because I adore it to no end. The empty streets of Point Dune, the surrealistic art in the beach house, the beach itself...all of it imbues the movie with a desolate, ominous feeling. Even bright, familiar places like an innocuous grocery store have entered the realm of the uncanny–something really ain't right in Point Dune. Pray you can escape, because no one will hear you SCREAM!
And that's what's up with this idea I didn't think of! I thought it'd be fun to explore it a bit in the context of horror because of the ways in which place can be so important: building tension, establishing a sense of isolation, showing the aftermath of violence, etc.
I thought a good place to start would be the 1973 film Messiah of Evil, which, as you should know by now, I want to take as my unholy bride because I adore it to no end. The empty streets of Point Dune, the surrealistic art in the beach house, the beach itself...all of it imbues the movie with a desolate, ominous feeling. Even bright, familiar places like an innocuous grocery store have entered the realm of the uncanny–something really ain't right in Point Dune. Pray you can escape, because no one will hear you SCREAM!
Delicious Nuts
September 22nd, 2015 — From The Feeds
Traditional Home Office
September 21st, 2015 — From The Feeds
