Entries Tagged 'mint chocolate chip ice cream' ↓

she’s got a death curse…i think

Some people (you know who they are...I can't say anymore because they're watching me) claim that the 1977 thrilla from Manila Canada Cathy's Curse is a rip-off of The Exorcist. To compare the two films is like comparing a punch in the teeth to a bowl of mint chocolate chip ice cream; yes, they both have to do with the mouth, but that's where the comparisons end. Cathy's Curse and The Exorcist both deal with a child possessed, but other than that they've got precisely zip in common...and like a punch in the teeth squaring off against mint chocolate chip ice cream in a "What's awesome?" contest, only one option is enjoyable. Unless you're a masochist- which, considering the fact that on some level I did enjoy Cathy's Curse, I must be. This doesn't mean you should punch me if we ever meet, however- unless I ask you to. Which I won't. Unless I'm drunk...but even then, I won't ask you to hit me in the face, because that's my money-maker.

Here's the cockeyed set-up for the tale, which tells you...well, pretty much nothing:


Why we need a written intro for this, I have no clue- especially since we get the gist when the father speeds off into the night to find his wife, daughter Laura in tow: "Your mother's a bitch! She'll pay for what she did to you!" Before he can locate and, one assumes, beat the shit out of his estranged wife, dear ol' dad crashes the car. Flaming flames of fire engulf the car, killing dad and daughter.

In 1979 (yes, this 1977 film is set in the future!) George and family move into the house because...because...well, I have no idea why, as there was no narrative to explain that part of it. George is pleased because his daughter Cathy seems happy in their new digs, but his harridan of a wife finds his attitude...insulting, which gives way to some subtle, rich character development as she shrieks through gritted teeth (yes, that's possible):
Listen George, this is getting pretty ridiculous. You know and I know that I've had a nervous breakdown, right? Well, it's not hereditary and it isn't catching!
Some neighbors come to visit, and one of them just so happens to be a medium. She wastes no time getting her Madame Blavatsky on and going to town. She relives the fiery car crash, and it's none too pleasant of an experience. Still, when it's all over, she insists that they "must do it again sometime".

Meanwhile, Cathy has found a doll in the attic. Its eyes are sewn shut, and Cathy's mom keeps referring to it as a "dirty rag". No, it doesn't make sense...but don't worry! Nothing in Cathy's Curse makes sense.

The doll, it seems, once belonged to Laura. Apparently Laura has become eeeevil in her afterlife, for she possesses Cathy.


Now, on the surface, that's not so hard to digest; the devil, however, is in the details...and like Cathy's mom consistently calling a doll a "rag", the details in this movie defy all laws of everything in the history of ever, and none of it makes a lick of damn sense.

Infused with the mighty spirit of Laura, Cathy develops a bit of telekinesis. She stands there as objects fly around and crash into walls and a synthesizer makes a "peeeewwwwwwwww" sound. No one who witnesses these shenanigans seems to think this is unusual- least of all the housekeeper, who just cleans up the mess.

Cathy develops the ability to disappear and reappear at will, and her mother simply finds it annoying.

Like Regan in The Exorcist, Cathy begins using foul language once she's possessed, and boy oh boy...I curse like a sailor, but even I was taken aback when Cathy called someone a "filthy female cow"! The depths of depravity on display are astonishing- and to think, a child was forced to say these things!

I could go on and on with examples of head-scratchers. Sometimes, it's horrendous editing that leaves you wondering what the hell is going on, like when mom sits and zones out in the tub...but then the water turns to blood! Mom screams, and is somehow suddenly standing up, frantically slapping at what one can only assume are leeches.




Characters appear out of nowhere, only to vanish without an explanation, such as the scene where the medium shows up and stumbles into Cathy's Super Secret Possession Headquarters in the attic. Another old woman suddenly appears- she proceeds to insult the medium by calling her an "extra rare piece of shit", tries to make the medium swear she won't tell what she's seen in Cathy's Super Secret Possession Headquarters, and then...they scream together. WHAT?

Then, in perhaps the best moment of the film, the medium runs outside and promptly face-plants in the snow, never to be seen again. WHAT WHAT?

One wonders why Laura has decided to possess Cathy at all. Sure, she can make the requisite bugs, snakes, and rats appear at will, and a few people mysteriously die, but to what end? To what end, Laura's spirit? If she's trying to take revenge on mothers- those "dried up old whores"- everywhere for the slights of her childhood, then she doesn't do a very good job of it. One squandered opportunity, for example, comes when Cathy brings her mother lunch. As she waits outside the door, the food on the tray rots before our very eyeballs- surely that trick would freak out dear old mom! Instead, the food reverts back to normal and mom enjoys a lovely sandwich and apple.

Again I say: Cathy's Curse makes no sense. The big finale finds Cathy looking like a miniature extra crispy Lizzie Grubman, sitting on the bed clutching her dirty rag dolly. Mom walks in, grabs the doll, rips its eyelids open, Cathy is no longer possessed, the end. Seriously.

I find it hard to believe that this movie could get from the page to the screen without anyone noticing that it makes no GD sense. Cathy's Curse is a bit like having Mexican food as made by Chinese people, as I once did in Brooklyn (wud up, Happy Taco?). All of the elements were there: beans, tortilla, cheese, lettuce...but somehow it just wasn't right. It was missing that special something, whatever it is, that made me say, "Ah yes, I am having a bean burrito!" Cathy's Curse has actors, dialogue, and a semblance of a plot, but there's nothing there that makes me say, "Ah yes, I am watching a movie!"

And yet, as I noted earlier, I enjoyed myself in some way. Perhaps this is because on the surface of things, it felt like a real grindhouse flick: there was little violence, a mere few drops of blood, no stronger language than "shit"...but the cruddy film stock, all green-hued and scratchy, the jump-cuts, the horrendous acting, the supernatural 70s thang, and, of course, that cockeyed intro were like a comfy, stinky blanket I could wrap myself in. My very own dirty rag, if you will. I wouldn't say the film is so bad it's good...more like, it simply needs to be witnessed, like a two-headed baby in a jar.

so i made a movie, part one

I recently made a short horror film called Ludlow, starring Shannon Lark and Elissa Dowling. I thought I'd share all the boring details about how that came to be, because...you know...sharing is caring and if there's one I thing I do, it's care.

Remember that thing I did called Ghostella's Haunted Tomb? The lezzie horror webseries thingy that had some special guest stars and stuff, and some people kind of got the idea behind the whole thing and some people didn't? Huh? Yeah, well…I don't know what's happening with Ghostella. I haven't yet decided if I want to do a second season or not, or what it'll entail, or…but! This is not meant to be about Ghostella's Haunted Tomb.

Remember Fudgalicious gum? Which was gum, but…you know, it was chocolate? That's either the best or worst idea in the history of ever- kind of like the Spice Girls, or those bowls you can buy that come with a built-in straw for drinking whatever milk is leftover after you've eaten your Fruity Pebbles or whatever. Actually, you know what? Those bowls you can buy that come with a built-in straw are the worst, plain-n-simple. I mean, how effing hard is it to tip the bowl into your mouth if you want to drink the leftovers? There needs to be a straw?

Wait! This is not meant to be about Ghostella or Fudgalicious or stupid inventions or stupid, lazy people. This is meant to be about…umm…what was I...oh yeah! This is all concerning a short film I made last week, which I know you're all peeing your pants in anticipation to hear about. Well, pull up those pants and gather 'round, children, and let me tell you a little tale about a little movie called- and set in- Ludlow.

SHANNON LARK: Wud up, Ludlow??

It all started, I suppose, when my short film Taste of Flesh, Taste of Fear was accepted into the 2008 Viscera Film Festival, sponsored by The Chainsaw Mafia. Taste of Flesh, as I'm sure you're well aware, was the short featured in the very first episode of Ghostella's Haunted Tomb. It's the lesbo vampire short featuring 2 Dollar Store Barbie knockoffs and Posh Spice that's so EROTICALLY CHARGED that it's too hot. Too hot, my lady- you've gotta run for shelter…gotta run for shade! Or something like that.

Oh, Kool and the Gang, you provide the soundtrack for my life.

But really, people, feel the heat. That heat is hot!


SHANNON LARK: Taste of Flesh, Taste of Fear is and was simply pure genius. If a filmmaker can make a great film using barbie dolls, then she's gotta blow you away with live action. And she did! I became obsessed with Top Friends. I showed it to my Mom. I showed it to my dog, and he licked himself. That's a good sign!

But I digress! The point is, the merging of Ghostella and Viscera introduced me to actress, director, Chainsaw Mafia CEO, and Fangoria Spooksmodel extraordinaire Shannon Lark because…well, Viscera is her thang. We met face to face in March during the Paranoia Film Festival; the 2007 Viscera selections were screened, including Heidi "Ghostella" Martinuzzi's Wretched, and a grand old time was had by all. Actually, don't hold me to that- I wasn't conducting exit polls or anything.

Trapped aboard the Queen Mary, Shannon and I spent most of the afternoon in the bar, then moved to a restaurant in the evening. During the course of the many hours we spent together, Shannon let fly that she wanted to be in one of my movies. I was dubious, which speaks more to my insecurity than any insincerity on Shannon's part; however, she proceeded to bust out a napkin and write up a contract stating much the same.

You can tell it's official because of all the lawyer-y language, like "This here contract…" and how she ends some words with "-eth".

SHANNON LARK: I told Stacie a story about how a contract written on a napkin can hold up in court. So I whipped it out* over a margarita in a funny looking glass that gave me stomach cramps. I used all the fancy shmancy jargon I could muster, because I wanted to show I was serious. She looked confused. I was ecstatic, because my evil plan of doing a Film Festival so talented female filmmakers would flock around me and put me in their next productions was actually working out. Besides, Stacie Ponder is amazing.

I jumped at the chance to work with her because she kind of fucking ROCKS. She said she'd be back in Los Angeles in April for Fangoria's Weekend of Horrors to fulfill some of her spooksmodel duties…wouldn't that be the perfect time to shoot something?

Why yes…yes, it would. I went home all pumped and proceeded to freak out almost immediately- writing something…on purpose? For someone? I don't tend to work that way. Like with Ghostella, I just write 'em, pretending no one will ever pay attention. Then I fill the roles. Or even writing here at Final Girl…once I start thinking that someone's going to be reading this besides me, I get all nervous. It's like my brain is nude or something, and it's embarrassing to think that people are looking at it…not that my brain has anything to be ashamed of, because it's 100% pure 36-24-36, if you know what I mean...and I think you do…which is good, because I have no idea what the fuck I'm talking about anymore.

SHANNON LARK: Haha! Stacie is totally nude!! Nude for Satan!

Oh, yeah! I was talking about writing a script for someone. Someone who's going to make a special effort to make a film with me. Ugh, nerve-wracking. Step one was to figure out what the eff I was gonna make this movie about. Actually, step one probably involved some Dunkin' Donuts coffee, or maybe some ice cream. Step two was to figure out what the eff I was gonna make this movie about. More on that to come.

Can I just say that my local grocery store AND my local Target have both discontinued carrying mint chocolate chip ice cream? That really does not fucking compute. It's kind of like the Catholic Church discontinuing God.

Anyway.






*Please note, the only thing "whipped out" was a napkin.

anticipation

I started writing...well, rants, or something, I guess, about how everyone is always cynical and cranky and no one seems to actually enjoy movies much anymore, even though more people than ever are making their voices heard and how that sucks and of course I realize that I myself have cranked out more times than you could count on, like, thirty hands but today my throat hurts and I'm suffering from a case of toomuchinternetitis, which means I should go smell some flowers or something and come back later when the negativity doesn't seem so tiresome.

In other words, maybe it's time for another one of these.

For now, though, I'm just going to draw your attention to a movie I'm really looking forward to: Walking Distance.


I can't seem to find any embeddable trailers, but check them out at other websites...I know, clicking sucks, but they're worth it:

Walking Distance: Black
Walking Distance: Red

I'm terribly intrigued. I have no idea what's going on, but I want to find out. Wow, mission accomplished, trailers! Adrienne King (Adrienne King!)! Reggie Bannister! Debbie Rochon! Shannon Lark! And did I mention Adrienne King? Those of you attending Fangoria's Weekend of Horrors in Los Angeles should catch the Walking Distance panel on Friday, April 17th. Otherwise, add 'em on MySpace for updates, if you're into that.

Yay, anticipation. I feel better already. Still, smelling flowers seems like a good idea.

Oh, and incidentally, my nightmares are decidedly mint chocolate chip.

more crap from me

If there's one thing you probably know about me by now it's that I love mint chocolate chip ice cream.

However, if you've really been paying attention then you may also know something else and that's that I can't seem to focus on any one thing forever before I get the urge to do something else. Creatively, anyway. I don't know if this is a good thing or not. Probably not. Eh, maybe I'll blame it on the fact that I'm a Gemini.

Having said that, I thought I should let you know that I've totally started making stick figure comics again- some of you may be wondering what "again" means. It means that I used to do it, then I stopped, then I got the urge to make more, and now I am. Toosday Toons is back, and it will be updated on...wait for it...Tuesdays. As I mentioned on another site where I was shamelessly pimping myself, if you read the first strip (posted today), you'll see why I had to start the comic again: obviously I have terribly important things to say. Check it out if you'd like.

All of this stick figuring got me digging through my old crap, and I found a bunch of stick figure sketchcards I'd made way back in the day. I made a Facebook album that features them and other stuff, if you're Facebookly inclined. In said digging I also found a box of blank sketchcards, so if anyone is sketchcardly inclined (stick figure or otherwise), then drop me a line. I heart commissions.

So yeah, comics. Updated Tuesdays. If I do any that are specifically horror-related, I'll post about 'em here. Otherwise there's a link in yon sidebar. I'll be doing them for a long time, I ho---ooh, what's that over there?

briefs

- Look at me, posting a link to my latest AMC column all timely-like! Head over and check out my 10 Reasons Why Phantasm Rules. Yes, of course the Lady in Lavender is on the list. What am I, some sort of rube? Some of my reasoning for including her didn't make it past the editor's steely gaze, but such is life.

- It's a great friggin' time to be a horror video game fan! First, when September 30 rolls around and Silent Hill 5: Homecoming is released, you can just kiss me goodbye. Pyramid Head and knifey nurses, and melty bathrooms? Ba-ring 'em on! Bloody-Disgusting has the creeptastic trailer for you to get creeped out by. Is it just me being a nerd, or is that Travis from Silent Hill: Origins making a cameo in the truck?

Bloody-Disgusting has also got a bunch of lo-down regarding Resident Evil 5, including 2 gameplay trailers that are totally drool-inducing. Uh, the awesomely scary bane of my existence- chainsaw baghead guy- makes a return. Guhhhhhhhshmlehhhhhhhhhhhh. I'm just thankful it's not being released until March 13, 2009- I'd hate for RE 5 to have to battle with SH 5 for my affections. It's like choosing a favorite spoonful of mint chocolate chip ice cream from a single bowl: it's just not possible.